Not much more to say, "The Uncle" is one of the best movies of the year, a collage of great elements from great directors and a must-watch for every fan of Korean cinema. Jeong Ye-jin as Ip-sae and Kang Shin-hyo as the silent, brutal uncle give great performances in their rather extreme roles, with their chemistry being another of the film's great assets. Add to all that some violence and a great ending, and you have a film that is quite difficult to find any flaws in it.
Lastly, one of the most important aspects of the narrative is the atmosphere Lee creates with the help of the claustrophobic cinematography of Lee Jae-phill, and the combination of his own editing and Lim Min-ju's music, that frequently result in music video-like sequences, while retaining a sense of deliriousness that keeps the spectator wondering if what is occurring on screen is the reality or some sort of extreme dream. Lastly, the concept of the violent stranger that arrives and changes completely a sick situation seems like a wink to Miike, although in a much tamer fashion.įurthermore, Kim retains the interest by gradually revealing secrets that change the way the spectator perceives the various characters The Kim Ki-duk aspects mostly derive from the fact that the uncle is a complete lowlife who does not seem to speak, the rather graphic violence that eventually takes over, the intermingling of love and hate, and the elements of surrealism. The Park Chan-wook aspects derive from the fact that all the characters occasionally act as caricatures, the absurd sense of humor regarding a handicapped person, and the concept of revenge that takes over after a point. Kim Hyoung-jin directs a film that starts as an extreme-abuse movie, but soon turns into a revenge one, while focusing on the transformation Ip-sae experiences due to her interaction with her uncle, both as a character and physically. As a number of secrets come to the fore, violence becomes a factor while the two plan their revenge, although the uncle may not be exactly an ally to the girl, neither a good guy, overall. Ip-sae does not know what to do of him and his erratic behaviour, but soon warms up to him, even spending time with him watching porn on TV, one of his favorite "endeavors" as it seems. One day, however, a strange man of almost no words arrives at her house, and is soon revealed to be her uncle who has just been released from prison. A list of 66 films compiled on Letterboxd, including Parasite (2019), Clean Up (2018), Move the Grave (2019), House of Hummingbird (2018) and The Gangster, the Cop, the Devil (2019). A number of young boys from a band use her room as a studio to rehearse songs she seems to hate, the neighbors do not lose any chance to belittle her, while Ja-yeong actually bullies her, at least when she is not having loud sex with another guy supposedly there to help Ip-sae. However, the people who are supposed to take care of her are not good to her, the exact opposite in fact. Drama Romance Everything, Everything F U L L M O V I E. Duration : Everything, Everything F U L L M O V I E : 96 minutes (1' 36'). Production Country: United States of America Everything, Everything F U L L M O V I E. “Ring Wandering” is his second feature film.The protagonist of the film is Ip-sae, a 19-year-old girl who cannot move from the waist down, and seems to have no family, thus is completely dependent on her neighbors and a female social worker named Ja-yeong. Everything, Everything F U L L M O V I E Release Date: Mei 19, 2017.
In the wake of winning a triple award, “The Albino’s Trees” was nominated for screenings in more than 20 international film festivals in 14 countries and achieved 20 awards worldwide, nine of which were Best Feature. In 2017 it was also screened in the 4th Figueira Film Art, Portugal and awarded the Best Feature, Best Direction, Best Picture. In 2016 Masakazu’s first directed-feature “The Albino’s Trees” was screened as an international premiere in the Beijing International Film Festival, China.
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Then he directed six short films while working in the fields of TV commercials or films. After graduating from the university, he studied at the Film School of Tokyo. During his time at university, he started to learn 8mm / 16mm filmmaking. He entered the school of International Politics, Economics and Communication, Aoyama Gakuin University. Masakazu Kaneko was born in Tokyo in 1978.
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